Sunday, August 7, 2016

Three Favours

Arianna Giametti

Helios has begun his descent from the apex of the sky, descending from the most on high of the heavens, finally transiting down toward his watery demise.  It is warm in Denver, bordering on hot, and the threat of a coming storm keeps the humidity somewhere around tolerably sticky.  Arianna's hair is piled up into some artfully messy spiral, with one loose and unruly curl left uncaptured at the nape of her neck.


This is, undoubtedly, the aftermath of another friendly act of insistence. Nicholas we simply must... something about picnics and sunny days and the whisper of leaves rustling on the wind and the park.  There is a picnic blanket, a basket, and a variety of things to nibble or sip, but also a stash of a couple books and even a Frisbee.  (She is terrible at Frisbee, but takes delight in the shape of the word if nothing else.)


"It's a shame that there isn't a lake or or sea nearby,"  she has said, at least once.  There are rivers and streams, sure, but not the seemingly endless expanse of a bigger body of water. 


She is sitting now, with her bare feet just extended off the blanket and into the grass, and the length of her skirt just covering her knees, and her shoulders mostly bare, soaking in the summer sun.  Surely she will burn; undoubtedly she will tan.  The faint threads of red in her hair have gone coppery bronze in their summer fade.  She is picking blackberries out of the small blue pressed paper box that sits between them. There is purple on her fingertips from their juice.


"Have you spoken to Kestrel lately?" she asks him, innocent of any ulterior motive. Except, perhaps, to distract him from his half of the berry horde long enough that she might pick an extra one or two up without his notice.  Without Pen around, it is safer to ask after their old cabalmate.


Nick Hyde

The days of late summer are usually the hottest in spite of the days growing shorter: hot and hazy and golden, with grasses and plants drying out after having baked in the summer sun for months.  You can smell it hanging in the air, the same way you can smell fresh rain and wet earth in spring.


Nick is lying on his side on their blanket, raised on one elbow with his other hand extended toward the box that contains their blackberries.  His skin, normally a pale brown, has grown a little darker over the summer months; it makes the blackberry stains on his fingers and thumb all the more stark.  He is wearing light grey shorts and a plain white T-shirt, which as of yet has remained unblemished by berry juice.  His shoes lie discarded at the edge of the blanket.


"I do miss the ocean, a little," says Nick, who grew up without it.  The home of his heart is far away, though, the place that they all left not so long ago.


Ari's question draws his eyes up to her as he pops another blackberry into his mouth.  He eats them slowly, worrying a little at the seeds and crushing them in his molars when he can.  "I just talked to him last month.  Have you heard from him at all?"


Arianna Giametti

She is not careful with the blackberries; she does not chew their seeds. Her fingers are stained with juice and were she Persephone then there would be no question as to whether she had eaten of the fruit at their table; she would be condemned to so many more than six months of the year.  There is consequence like this brewing, in fact, for some other transgression of hers but it has little to do with blackberry juices.


"I haven't," she says. She isn't looking at Nick just now. Her chin is tipped up enough that the sun catches all the planes of her face. Her eyes are mostly closed; she can make the shape of him out from between the frame of her lashes and over the sweep of her cheeks.  He is blurred from this vantage point, and the sunlight casting off the dark richness of his hair gives him a sense of illumination; he is not entirely shadow.


"I just, sometimes, think of him in the summer.  And I wonder how he is, but not enough to surrender to him evidence that I think of him when we are parted."  She waves this idea away with a half-hearted gesture, even as the corner of her mouth tucks into the curl of a well-familiar smirk.  It was in the summer, hot and humid and almost sweltering summer, that Kestrel had convinced her to join the multi-Traditional cabal.  It was in the summer, and by the sea.


Nick Hyde

Nick rolls onto his stomach so that he can face Ari now, still half-raised on his elbows.  He brings his hands together into a fist, which he rests his chin on; it gives him a rapt look, as though he were a child listening to a story just before bedtime.  There is a hint of a smile playing about one corner of his mouth though, some devilry.


Whatever it is, he does not speak of it just yet.  Instead he reaches for another blackberry, then crushes it against the inside of his cheek.


"I think he's doing well.  He was ornery when I called, but it's hard to tell with him these days whether it's something I've done or whether that's just how Robin is, you know?"


His eyes wander off to the side, somewhere past Ari's shoulder as he chews on the berry and reaches for another.  "Neither him or Pen have ever really told me what their fight was about.  That probably means it was about me."


Arianna Giametti

Whether that's just how Robin is, you know? 


A small commiserating sound acknowledges this query. It is, in fact, just how Robin is. And oh, how well does she know it.  Yes.  But her chin lowers a little, lashes parting, grey green gaze falling squarely on him when he suggests himself as the source of the division between Pen and Kestrel.  The roll of her shoulder is lazily dismissive, but her attention him is not so gentle or removed.


"I doubt it."  A pause.  "They are each immovable in their own ways and never did I believe they were intended to always agree.  It could be about you in shape, but I doubt it is about you in substance.  His love for boundaries stops only at his own."


She thinks about reaching for a blackberry again, but waits instead.  She is curious about some undertone in how Nick has said what Nick isn't saying.  "Does it bother you, that their quarrel may be over you?" she asks.


Nick Hyde

"A little," Nick admits, though by the way his gaze shifts sidelong perhaps he had not meant to imply this, nor to lead into it.  In truth, in spite of his frequent insights into the hearts of other people Nicholas has never been certain how much Robin likes him, though many other people could likely say the same.


"Just that they were always such close friends and now Pen doesn't even like the mention of him.  I don't like thinking it might have been about me.  But I think you're right, that it's probably some deeper issue, even if that's true."


Nick reaches for another berry, seemingly with no intent of stopping even if Ari has.  More berries for Nicholas.  "I tried to talk him into visiting, when I talked with him.  You should help me get him out here."


Arianna Giametti

"I like that you are so gentle hearted."


This is all Arianna says to acknowledge or smooth over the unexpected honesty. It is, perhaps, too abrupt to offer any sort of solace.  It is not expounded upon, and she picks up another berry from the box and uses it to stop up her mouth from saying anything more on the matter.  It is not her place to gentle Kestrel in any way, as fond as she is of their prickly Tytalan.


"Oh? Do tell!  How might I offer assistance? Last time I suggested a visit, he reminded me that it was I who left him, and then found the next opportunity to hang up on me."  She offers this with a smirk, and leaves out even the broadest context of that call. Arianna leaves out a lot; her stories are like lacework: the pattern lies as much in what is not there as what is.


The next blackberry she selects is too soft, and it smooshes between her thumb and forefinger. The pad of her thumb has gone red-pink and she must suck the juice from her fingers.  She wonders, idly, at the privilege of a life where this is allowable folly, this idleness and friendship and not worrying about what Nicholas might say and to whom and what disgrace may befall her name or house.  She is unguarded, comparatively, here in the Western summer sun of Denver.  It catches her by surprise sometimes; it reminds her how easily he could wound her.  She has spent too much of the summer away and among her own if these thoughts encroach on their picnic.


Nick Hyde

"That sounds like Rob," Nick says, and there is a smile here that has lingered since Ari commented on his gentle-heartedness, his inherent kindness.  It's a quiet, reflective thing, that expression; perhaps he is only glad to have fallen among friends who do not view this quality of his as a liability, as evidence of immaturity, a thing to be squashed.


Nick squashes another berry between his teeth and his inner cheek, and when his eyes meet hers there is a spark in their depths.  She might suspect that she will regret offering her assistance so soon, once she has seen it.


"Well, Rob challenged me to a bet when we last spoke.  He thinks you couldn't work a job at some retail store among Sleepers, and I think you could.  Somewhere like Michael's, was what he said.  Anyway, I called him on that bet and he agreed that if he lost he would come out here and visit."


Nick drops his chin back onto his fist.  "So what do you say we make him eat his words and get him out here at the same time?"


Arianna Giametti

[Doo de doo.]


Dice: 7 d10 TN6 (1, 1, 2, 3, 7, 7, 10) ( success x 4 ) [Doubling Tens]


Arianna Giametti

"He is probably right," she concedes, though she is turning the thought over against her teeth. Nick can feel it; he has the sense of it. Arianna has not worried this thought into the ground just yet. It may rise up and into something more.  "And Michael's is a terrible place. What passes for Art in some places, or even for Craft -- augh."


Her expression is distorted into such displeasure that he can feel the scorn and disapproval even within his own breast.  And with reason; it is unlikely Ari would find anything befitting her arts there, beyond rudimentary and lesser quality supplies.  Nick has seen her fashion and adjust her own nibs, grind and mix her own dyes. She is an Artisan.


Oh, gods, and Halloween is coming.  Arianna will not have thought of this, but likely Nick has.


"Do you not have better things to bet upon than whether I might work a retail job?"  Eyebrow raised, attention pinned momentarily to the shape of the bridge of his nose, and then to the corner of his mouth, and then to the dark of his eyes.  As if she might suss out the shape of his mischief from the lines of his face.  Giving up on this quickly, she draws a glass bottle of ginger beer from the basket and uses her skirt to protect her hand and she twists the top free.


Nick Hyde

"Michael's is a terrible place," Nick concedes, and though it has occurred to him that Halloween is coming (they have already started to see candy appearing in stores, three months early) he knows better than to mention it.  "It would be very difficult for you to sell anything there, knowing how much work you put into your craft."


Because he has seen her adjust her own nibs, grind and mix her own dyes.  His voice is knowing, and it is of course a touch sympathetic.


"You could think of it like...a study, kind of.  Or an opportunity to encourage the Sleepers to pursue their own art, or their own craft.  Think of all the young minds you could reach," and Nick is smiling and the glimmer of mischief is back, and the dark of his eyes is beckoning - it's the sort of trickery that craves company.


"I asked Rob what would get him out here, and he named his terms.  I thought it better not to debate them, if I thought we could get him out here."


Arianna Giametti

"What exactly in our long friendship has led you to believe that I concern myself with the artistic pursuits of Sleepers, or with the education of their young minds?" she asks, archly, with a dark and knowing sort of wryness tucked into every syllable.  She is teasing him, truly, but also in earnest: has he known her to be altruistic on this scale, to suffer any sort of indignity at all for the sake of unaware and unknowing others? Especially those outside of her precious Order?


He could simply suggest she volunteer as a camp counselor for the Disparates if he wished to pick nonsensical arguments.  So this mustn't be an argument and instead must be something different.  Still curious, she sips offer her ginger beer.  The sunlight is all tangled up in her hair and her lashes and while she is not as picturesque as his Penelope she is still a brilliant sort of danger.


"Rob's terms are rarely so plain-spoken. What game is playing you for, I wonder..."


Another sip, and still such scrutiny and remove.


Nick Hyde

"I don't think he thinks we'll win," Nick says, "and I think he intends to make his visit an unpleasant one even if we should succeed.  You know Rob," he says, and of course she does: he does not lose gracefully.  "But we'll just have to work again and make him have fun in spite of himself."


Nick's tone is dry, but beneath that she could detect: a hopeful note, or maybe two.  He perhaps believes that the friendship between his wife and their former cabalmate could be repaired, and genuinely does want to see Rob and have him enjoy himself.  Nick can be inscrutable, but there are also times when his motivation is plain, is written in the cant of his head and the crinkling of his eyes.


"I believe that you know that an Art improves when people believe in it and pursue it," he says.  "Your Art would grow too, by having other people learn and practice with you.  One person can't advance an art all on their own."  


Arianna Giametti

[Empathy: ... Do you really think this is all that's going on here, Nick? Does Kestrel have you snowed?]


Dice: 4 d10 TN6 (3, 4, 10, 10) ( success x 2 )


Nick Hyde

[Nicholas really does think that's all that's going on.  He misses Rob.  Also he is a little less innocent in how this was set up than he is letting on.]


Arianna Giametti

There is a game afoot, Arianna can feel as much in her bones. She has a nose for mischief and it is undoubtedly present, but she cannot shake the feeling that not the whole of the story is being shared. It is probably not being shared with Nick, either, given his earnest eyes and the plainness of his motivation.


Still, it is this plainness and uncomplicated cant of his head that gives her pause.


"It would be simpler, I think, for the two of us to visit him," she hazards, with the full knowledge that this is not the same as winning a hand against the Robin.  It is not the same as having Kestrel come to them and, against all odds, enjoy himself.


"Tell me the shape of this wager," she, at last, demands.  "A solid one is specific and time-bound and measurable. It is Michael's definitively, or will any 'Art' supplies store do?  How long must I spend educating the minds of sleepwalking Denverites?  Do I actually have to sell anything or merely attend to the premises?


"And, most importantly, what is my reward amongst the winnings?  You say we, yet this is your wager with the Tytalan."  She gestures toward him with the neck of her bottle.  Arianna, though often indifferent, is far too shrewd to give her time and her embarrassment away for nothing.


Nick Hyde

"Michael's, definitively, for at least a week," he says.  "But you won't have to sell anything there.  I figure they would probably just have you stock or work as a cashier."  There is another hint of a smile, though this one is less voluntary - Ari's supposition that she must sell or 'attend to the premises' tells him all that he needs to know, that she has never worked a job of this kind.


She of course does not recall teenage summers spent in drudgery and humiliating uniforms; Nick does all too well.


"Me visiting him for a task was part of his wager, if we were to lose," Nick says, though Ari was shrewd enough to catch his use of 'we,' and so he smiles again.  They're shifting things, his smiles, and full of nuance, and it's no wonder at times that one of Denver's apprentices once chose to characterize him as "shadowy."


At her last question, Nick cants his head, and the way his eyes wander skyward betrays some of his reluctance.  "Well, you get to see Rob too," he offers.  "And I, uh...I suppose you can have something of me as well."


Arianna Giametti

Ari suffered her own forms of drudgery and humiliation in adolescence. More humiliation, admittedly, than drudgery, but the balance stands.


"If I am to help you best Kestrel, and win a prize that might quite irritate your wife, and also subject myself to the masses, then I, too, will set my price for my part..." The words trail idly, as if she is considering something; the words are neither idle nor considerate.


"Kestrel wants a task of you, you say?  That bodes.  That fore-bodes.  Hmmm."  Thoughtful, she taps a finger against her pursed lips, then wagers: "I want favours of you.  The old sort of favour, of which I am certain you are acquainted, and I should welcome three.  One for the indignity on my own part, one for the hazard of offending our dearest Penelope, and one for my complicity when Kestrel challenges on how you bested me.  So three seems fair," she suggests.


And then she sips at her beer again.  It is a simple request. Three favors between friends, to be named at her convenience, an outstanding balance to be kept until the debt is settled.


Nick Hyde

Nick nods as Ari considers her price; he knows better than to think that Ari will ever give idle thought to anything, much less a bargain (even one among friends.)  He pops a few more blackberries into his mouth while she considers her terms, and then reaches into their basket for a ginger beer of his own.  He uses the blanket rather than his shirt to twist away the cap.


Ari's first two terms draw from him only nods, and slow things they are: concessions to what she has said, to her indignity as well as the very real possibility that his wife will be irritated.  At the third, he shrugs.  "Robin can challenge me on how I convinced you all he likes.  The terms were only that you should be convinced.  So there's no complicity on your part."


He takes a swallow of his own beer, glances up toward her and adds, "But the first two, I'll agree to, even if owing you three favors is more poetic and significant."


Arianna Giametti

"Ah, but Nicholas, threes are the capital of Kings. And there is complicity, if I am not thoroughly convinced and must choose to throw myself into this knowingly.  Do I seem convinced of Michael's and the good will unto men that I might do there?"


She is not. She is not convinced of Michael's, and neither is she convinced that this bet of Kestrel's is on the level.  It is more likely that he is playing Nick toward some purpose and so, unspoken and unannounced, there is a far more convincing reason to best Robin at play: sparing Nick whatever the Tytalan has in mind.  And they are masters of Mind.  It might not be pretty.


Nick Hyde

There is another frown as he considers: perhaps Pen's words that he should bargain more carefully are fresh in his mind.  In the end, though, he nods as Ari puts her logic forth.  "I suppose you aren't complicit, then," he agrees.


Whatever motive Ari may have, Nick for once does not seem thoughtful of whatever secret motivations Robin may have.  He trusts Robin, and he is unused to the cutthroat machinations within the Order of Hermes, save what he has experienced while visiting the Hermetics with Pen.  (Whatever Robin's master may have done to him: this he cannot recall, and mercifully, shall not.)


There is a sidelong look now, something sly.  "So do you want me to help you fill out your job application, or do you feel up to it on your own?"


Arianna Giametti

"First you shall swear to me: three favours, of my desiring and at my leisure, on which you may not refuse me.  Non-transferable, save to my issuance --" there is a little pause given for levity here in the standard Hermetic language. Arianna punctuates the quiet with a sip from her ginger beer.


There is something sidelong and sly to Nicholas; Arianna is resolute in her nonchalance, in the ho hum of this moment, as if it were the sort of pact entered into easily and often. 


"This seems courtly, does it not, for an agreement between friends?"  Her bearing and lack of apparent concern indicate that she assumes he knows how the remainder of such things go.  And then, with a broader flash of teeth and mischief, something far more conspiratorial and familiar, she addresses the question of applications.  "Do you feel an overwhelming need to proofread it for me?  I have applied for positions before," she assures him.


Undoubtedly she is lying. She is so very confidant and self-assured.


Nick Hyde

Nicholas is, of course, wary to swear such a vow even to a friend: such things are binding, and he knows this as assuredly as he knows that the sun sets in the west, that there are worlds beyond this one which can be found in streams and mirrors and behind waterfalls.  He would not dream of breaking his word to Ari, is the point.


"I will give you three favors that you name, in your own time, and I will not refuse.  So do I swear," Nick says, and he is solemn but this is broken only by how he lifts a hand at the end to place over his heart.  There are few vows save his marriage vows which he has not made with some levity, some hint at capriciousness.


Rest assured he will work those terms however he can.


Another smile here, a rare flash of teeth.  "Which positions?  Where?"


Arianna Giametti

He is right to be wary and Ari is not always a benevolent soul, but she would go to great lengths to protect Nicholas or Penelope from harm; she will not ask of him the things that another Hermetic might, given the same latitude and leeway in such an open-ended oath.  She is not like Kestrel's mentor.


"Academy appointments and lecturer selection, applications for study rooms or privileges within the libraries, and lastly whatever ridiculous mockery of reasonable documentation that was required for purchase the house here.  I know they have very little overlap with retail salesmanship, but I also doubt that Michael's will ask me to recite my pedigree to the seventh generation or outline the entirety of my financial situation."


She is, apparently, wholly unfamiliar with the requirements of job applications.


Though she has only finished a portion of her ginger beer, she sets it aside so that she can plant her hands behind her and lean back lazily.  This is almost the same stance she had adopted on the beach with Kestrel the night he had talked her into leaving Eve.  The thought echoes, faintly, but doesn't rise to recognition.


"Maybe I will end up liking Michael's," she says, silently swallowing down the bile that rises at the thought of having said those words aloud.  "Perhaps they will have an employee discount and I can stock up on ugly Christmas decorations to hide around your house."  The bridge of her nose wrinkles in amusement as she watches him; she is unable to keep herself wholly from answering the levity in his eyes.


Nick Hyde

[Oh Ari.]


Dice: 6 d10 TN6 (1, 3, 4, 8, 10, 10) ( success x 3 )


Arianna Giametti

[Empathy: I'm paying attention. Really.]


Dice: 4 d10 TN6 (5, 7, 8, 8) ( success x 3 )


Nick Hyde

[Contesting!]


Dice: 6 d10 TN6 (4, 5, 8, 9, 10, 10) ( success x 4 )


Arianna Giametti

[No ties!]


Dice: 4 d10 TN6 (1, 2, 2, 7) ( success x 1 )


Nick Hyde

Academy appointments.  Lecturer selection.  Study rooms, privileges.


Nick's face is a mask.  A very earnest, sincere mask (eyes wide and very thoughtful, without an ounce of mirth) as he listens to Ari say these things, and then he nods very slowly.  He is imagining: Ari asking her interviewers at Michael's whether she ought to recite her pedigree, or putting one of her Hermetic references on her job application.


None of this shows itself on his face.  "They probably won't ask you any of that," he agrees.


"I think you might like it," he says, as he takes a swallow of his ginger beer.  "The same way you like going to dive bars with Andrés and drinking tequila."  A beat.  "Just no light up reindeer or blow up Santas, please.  Pen is going to be annoyed with me enough over this as it is."


Arianna Giametti

She might like Michael's the way she likes going to dive bars and drinking with the Etherite.  Try as she might, Arianna cannot see the connection between the two idiosyncratic uses of her time and energy but she cannot argue that she does enjoy drinking with Andres.  Maybe it's an act of rebellion on some level, or an attempt at cross-Traditional bonding.  Ari has never really had a good reason for the appeal there.


"I haven't seen Andres in awhile, now that you mention it..." she muses, shifting her weight from one palm to another in consideration.  "How is he doing?"


This has the added benefit of being not targeted toward whatever thin and inexperienced Sleeper alias she has for interacting more completely with the mundane world.  Perhaps it was time to segue from graduate student in an esoteric arts course to some variant of bored housewife.


Nick Hyde

"Neither have I," Nick says, and now he lifts himself up off of his elbows and pushes himself upward so that he can sit crosslegged across from Ari on the blanket instead.  He leans forward a moment to stretch whatever muscles tightened in his lower back from the position he was in.


The beer he rests atop his knee, after he has taken another swallow from the bottle.  "I hope he's doing all right.  I haven't really seen him or Margot at all.  Just Ned."


Though he has heard of Margot, and there is a flicker of something across his face, some spasm that might be shame: he should perhaps have been more proactive about following up with both of them.  Life happens to get in the way, sometimes.  "Hopefully he's starting to make some recovery.  I don't know if he's still working through his Quiet or not."


Nick Hyde

[Empathy?]


Dice: 8 d10 TN6 (4, 5, 5, 6, 7, 8, 10, 10) ( success x 7 ) [Doubling Tens]


Arianna Giametti

This happens when one goes away. One misses pertinent information about the community at large. Pen has only filled Ari in on so much -- which is fair, as Ari has only filled Pen in on so much of what had happened while she was away, too.  Things fall through the cracks, especially details about the peripheral lives that adorn their circle.


"Hmmmmmm, Quiet?"  Arianna's head is cocked to one side; there is a sort of pointedness to her eyes that might bespeak concern but was more directly quizzical.  This bit of information is new; it has a place amongst the other Andres information rattling around in her head and, given this new thing, some of the rest of it was falling into place.


"I saw him in June," she says.  "Before I left for Midsummer conclave."  There is a poignant hesitation between each sentence, once she cannot play off into her usual nonchalance.  "He seemed... okay... ish."


Ari does not usually equivocate, but she is admitted thin on details about that encounter. And the details she does have regard hunting for a radioactive spider which, probably, doesn't speak to the good doctor's sanity. Or her own. Definitely not to her own.  (So Michael's would be a lot like blackout drinking with an Etherite? No wonder the store was named after an Archangel.)


Nick Hyde

The way Nick's eyebrows loft imply that he had not realized he had neglected to provide Ari with this update, or that Pen did not provide Ari with this update.  He is quick to lift the bottle to his mouth to take another drink.


"He and I ran into a wolfman, of some kind, a little while ago," Nick says.  "I don't think it was a true werewolf, from what I understand from the spirits, but Andrés went pretty deeply into Quiet when he tried to Work something to put it to sleep.  I managed to trap it and call a spirit to get the wolfman away, but there wasn't much I could do for Andrés other than bring him to Kiara."


Here, a frown, the appearance of a little point between his brows.  Then he reaches for another blackberry.


"How was your Midsummer?"


Arianna Giametti

Perhaps it is that she has been away more than they have been together lately, but Nick is acutely attuned to the difference in his friend.  There is this of note: she seems to care more overtly than she normally would, beneath the everpresent veneer of indifference there is concern for him and also for Andres.  It is a sort of softness she would not allow if he called it out.


She is also mildly fatigued. This is easily explained by the travel and her increased studies, but there is a physical element to it as well.


Arianna Giametti

Her brows knit at the discussion of the wolfman.  She considers, but ultimately decides against, mentioning the radioactive spider.  Ari does not wish to be an unreliable narrator and there is so much about that outing that is unreliable in her memory, but nevertheless the crease between her eyebrows deepens before it relents.


"He seemed himself when I saw him.  For whatever that is worth."  It is not the most glowing of recommendations, but neither is it terrible.


On Midsummer: She exhales before answering, and lets her attention focus on some point over his shoulder.  The words are careful, but the caution is not because of Nick.  "Strenuous.  On many fronts.  I am attempting to make nice with the elder Maga Fioretta and... she is every bit as trying as I remembered.  And then Silas came, when he had been resolutely against attending.  It is awkward to lecture on my Art without the requisite rank, or to spend the entire gathering as my mother's daughter.  I do not wish to always borrow on her renown; it is not a debt I can repay."


This, then, elicits the same sort of uneasy shift from one hand to another before she pushes upright fully so she can drink her ginger beer again.  "I only had to dodge two blind dinner dates, so there is that.  And I don't think my mother found out about Silas and me, so that is another thing."  She raises the bottle a little in salutation or gratefulness.


Nick Hyde

Nick notices all kinds of things, with regular frequency.  Here's a thing about the perceptive: they notice much more than they actually know what to do with, and perception alone does not mean one will draw accurate conclusions.  There are many things that Ari's tiredness, even of the physical sort, could mean to him; a lot of things that could be attributed to how deeply she cares, at just this moment.


It is easy for him to listen then without distraction to what she says, because it lends what he sees a sort of explanation and the human mind looks for these things.  "You won't always have to borrow on your mother's renown," he says, with a quiet sort of assurance.


"Are you planning to tell your mother about you and Silas, at some point?  She knows you're old friends, so she wouldn't disapprove of him, I would think," and this little furrowing of his brows.  Nick's sense of what is proper in older families like Ari's, one of a higher social class and social standing, is a little thin at times.


Arianna Giametti

"If there's cause," she says, and it is only half of an answer.  That Arianna keeps broad sections of her life at arm's distance from one another is no secret.  That Silas, who is part and parcel of that oft-distant and wholly Hermetic sector, might be held apart from her parents and their titles and the social situation is curious.  Right now, with as clearly as he sees her, it reads as deliberately deceptive of someone.


Perhaps of herself.


"And, to the contrary, if my mother knew that Silas and I were -- how would she say this? -- carrying on like Initiates in Academy, I think she would ring the inestimable Maga Robinson right up and start planning for the education of their one day future heir.  He is of the right sort of family, neverminding his father's Xoasian ways; mine is not deplorable to Silas's mother either.  Then the screw turning would begin regarding marriage and children and attaining a respectable rank."


Ari rolls her eyes and shakes her head a little.  Hermetic mothers are not much different from mothers everywhere, it seems. Save that they have a terrifying amount of Will to help bring about their desired outcomes for their children.  She takes another sip, and then smirks wryly.


"It is, after all, what I owe my family for the great privilege of being born: an heir to their names."


Nick Hyde

Nick listens, and his eyes fall forward onto the blanket as he turns over whatever it is he is turning over in his mind.  One of his hands lies folded in his lap, the other loosely wrapped around his ginger beer, which he has not touched for the past several moments.


"Well, it sounds kind of like a win-win, to me, if they'd be satisfied with something you're already doing.  Even if the root of that rankles a little."


Nick bites the inside of his cheek, now.  Whatever her words may have struck in him, something regarding his own father or mother, is anyone's guess.  Nicholas has never said very much about his parents, at least not to Ari.  They are Sleepers, and his struggles with them have been mundane struggles: perhaps it is difficult to figure out how they fit into his world, when even both of his sisters are Awake.


"Do you think you don't want children then, or would your parents just want that to happen sooner than you do?"


Arianna Giametti

"I have always imagined that I would have a child," she says. The way she says it is altogether disconnected from whether or not she would want one.  It is the way that an an adult skeptically regards the long-held wantings of their inner child, knowing that they were all along conditioned to the expectations of their elders, and that they have formed their dreams in the hollows and shapes left by those allowances.  She has said this same thing to Silas: she always imagined there would be a child, and if there was to be a child that it might well and reasonably be his.  Whose else? 


It is anything but romantic.


"These thoughts are heavy, Nicholas.  They remind me how much I envy you and Pen.  Not that your love is unfettered or easy, but that it is well and truly your own.  I don't think I will ever have that.  Even with Silas."


She leaves that thought there, awkward and unfinished as it is.  He is not the only one sifting through the fine silt of memory.  She does not delve into this often, and even as Nick has a way of pulling the most earnest and guarded places out of her, this one has been well enough disturbed for one day.


"I brought us crudites, but now I have want of something more substantial.  Let's pack up and find a tacqueria, shall we? Or your wings place?"


Sunday, July 24, 2016

Into the Green Wood: Skirmish

evening-star

The air is thick with humidity. This strikes them first. The cool, wet heaviness of the air and how it smells of loam, and fallen leaves, and recent rain. How it smells of shade, and moss, and stillness.  It is not at all like the stillness of the bookstore, with its ancient dust swirling in the shafts of sunlight which pierced the window panes.  Even before their eyes adjust, their other senses tell the women of the Silver Bough that they have entered the Green Wood.  The ground is soft beneath their feet.  Pen lands and her ankles and calves all work in concert, keeping her upright and ready. Arianna stumbles a bit in the unevenness of the forest floor.


The light here is dappled, rains down through layer upon layer of green, becomes shadows and brightness, becomes a shifting shaded green-grey thing.  Where the trees are further apart, the light pierces through like lances, brilliant and unyielding, striking all the way to the forest floor. So luminous that it leaves echoes in the eyesight, fleeting darkness that do not part until they fade away.  At the margins of these bright shafts, thin filaments twinkle and shimmer. They are only apparent in the puddling light, not at the center of its brightness or in the shadow of the Green Wood.


Arianna has pulled their resonances tight up against them, so that they do not shimmer in the air, so that they do not become beacons in the grey-green shadows.  It is enough to keep them hidden from certain sense, but it is not enough to keep them safe.  There is a rustle in the undergrowth, a shifting hidden thing repositioning.  Watching.


"Pen?!"  When she is answered, Ari moves closer to her friend and heart-sister. Consolidates their position.  Is near enough to touch.


Penelope has left a lifeline for them, a mooring at their last known address, a thing by which the Crow could hunt and find them should they become untethered in this wilderness.  Should they become Lost to the Mists.  There is, indeed, mist threaded through the trees, giving the illusion of spectres in their midst, eroding the sense of distance and space.


Another rustle.  A skittering here.  The shift of pine needles on the forest floor, the shimmying leaves of a loose, low bush, a persistent, darker shadow that hangs overhead.  They have had merely moments to acclimate themselves to the woods and already it is coming for them.  Its sentries move forward on their many legs.  They surround and encircle and enclose.


The Magi of the Order cannot see it now, they cannot tell how the slick thick sticky silk threads are woven throughout the forest, creating impasses and passages, forming a labyrinth.  Not a subterranean journey through the underworld, but rather a half-light, whispering, shimmering middle passage.  Where the mists move through the webs, small beads of condensation gather like silvered pearls.  They refract the light.


The Lake Witch and the Evening Star, they cannot see the web around them. But the forest rustles, again.  It whispers: a lovely rustling of canopy leaves, the sigh of ferns swaying in a breeze, the far-off sound of wind-bells chiming, hung from some distant eave, calling out the names of the Anemoi, summoning the summer rains.


lake-light

Pen?!


"I am here." Steady is her voice and easy the cadence of her words. Ari hears it low at first. Low to the ground, but then at the usual height. Pen is lake-light: falling, from a hand, and dazzling. The knife in her boot comes to one hand, the wand in her other boot comes to her other hand. The knife she holds like a street rat street fighter, the wand she holds with the disciplined grace of a (song [a story]) wizard.


The light here falls as thick as milk where it does fall; the gloom is thick gloom and greying: it is a honey haze, and one that might blind the already radiant eye. See: as Ari moves near and consolidates their position, Pen is sweeping her sharp grey eyes over their surroundings and a patch of shadow hits her cheek like a faded keepsake a patch some aristocratic woman from another age might've kept and when Pen moves the keepsake becomes a diamond over Pen's eye and one of her eyes for a moment is darker an inscrutable color and then it dampens the fire of the tiny stones in her hair which burn with their own inner light and wait only to have something else coax it out.


"Do you know a rote to fling sound elsewhere, Arianna? I'd fling it far from our present location. Buy us time."


The mist still hides the webs, and Pen squints at the edges: that filament twinkle: the tunnels, the caught-trap, cloud-ash spiraling architectural nightmare woven all through this strange forest.


A beat.


evening-star

[Throwing voices/sound: Forces/Corr 2 + vulgar = dif 6, -Instruments, -1 appropriate resonance (mercurial), +1 active magics, -1 magical realm ]


Dice: 2 d10 TN4 (4, 6) ( success x 2 )


evening-star

[Wits + Alert]


Dice: 5 d10 TN6 (2, 3, 4, 8, 8) ( success x 2 )


lake-light

[Let's start with the Wits (One Jump Ahead) + Alert! -2 diff for acute sense.]


Dice: 5 d10 TN4 (1, 5, 6, 7, 8) ( success x 4 ) [Doubling Tens]


lake-light

[Ariel the Page of Swords, Zephyr the Sneak, because every soldier needs to know how to use the air. Forces 2 + omg vulgar. -1 taking time, -1 magical realm, -1 instrument (wand). Diff: 3.]


Dice: 3 d10 TN3 (3, 3, 5) ( success x 3 )


evening-star

"Of course," she says, and her voice is now pitched low as her wand is retrieved and she holds it less like a soldier and more like a scribe, or an Artist whose hand might rewrite history.  She cannot, yet, rewrite history but it is difficult to believe that this will always be beyond her. 


In a place like this, it is easier to push and bend and sway the threads of the Tellurian.  Both Hermetics can feel it as they start to work their rotes.  Ari conjures the long-familiar workings of Echo's Misdirection, a rote well honed in her Academy days but set aside in her more adult moments.  Here it offers protection, rather than the opportunity to slip past more senior members of the Collegium unnoticed.  She holds fast to the rote that is obscuring their resonance as well, becoming the imperfect mirror, the medium which distorts and deceives rather than conveying truth to the beholder.


We could write volumes about the appropriateness of this moment, how its essence pleases the Other within her breast, how she is become and not just beside some aspect of her Avatar. We could, but there are more pressing things at hand.


Like the pitter patter, skitter scratch, silent here and rustle-crash loud there sound of far too many footsteps.  Or the shudder of leaves above, and the dust careening down in lazy cartwheels, dislodged from the branches above by some unseen force.  Bits of heavier dirt fall faster, more like rain, they come straight down and onto the heads of Pen and Ari, they keep court with the brilliant gems in Pen's hair, they are ash-dark, coal like in comparison.


Ari's spine is straight, she is impossibly taut, fierce and ready and imperious in a way that only the Hermetics have ground into their young.  She might be made of stone; she might be immovable; but she is less statuesque when she turns to look at Pen, to nod just once to indicate the thing is done.  They have worked together long enough that Ari does not scribe the radius of her Effect; it is the length of her arm plus Pen's own.  It keeps them surrounded, but does not envelope much of the forest beyond.  Instead, to test her own Working, she shifts her toe in the leaf litter.


The sound of shuffling leaves comes from behind a stout cedar many paces away.  The forest skittering stops as the enemy re-calibrates its advances.


lake-light

A
flake
of dirt
drifts
d
o
w
n


touches

Pen's brow. Pen, whose eyes have narrowed. The narrowing is a closing of ranks a closing of the pass a protection and a guard: no dirt to muddy the tarnished silver of her eyes, and make her blink before she is ready. Does it like this: brow rising first, gaze following - drawn up.


And she is sharp, and she can see the dim shadows moving in the mist and trusts to that more than she trusts to her ears, even once Ari nods to let her know that one part is done, even after they can hear the scurry and the clamor and down they come and she


This whole time, as she is watchful, aware


She scribes in the air with the point of her wand and it feels, to her, as it often feels to her when she is performing an act of power, that the wand hits a groove and must be held in that groove though it would be free though it would be consumed flare up though it would be anything but an easy tool until just that curve this one and then it is a song it is a moment of grace it is done well it is done and it is beautiful to perform what she has dubbed Ariel Conscripted, Ariel the Dredge, and other vainglorious names:


More beautiful to feel how reality slips, pushes


And how the slight eddying current of her arm, the swish of her wand, spirals tighter whorls and then (Prospero never did better; but this is just the beginning) there's a damping moment of silence


hush


shh


hh


h


and the mist is swept away; the webs are revealed, and no longer just above Ari and Pen, but over by the tree: one fat-bodied arachnid the color of water, of glass refracting light; a ghost; a many-eyed myth, an hour glass the color of the darknesss which waits behind closed eyes on her abdomen, and time is running out.


That's one. There's another, further beyond: nearer the sound that Ari threw.


And another, smallest but closest, and rather than to the East this one is to the North, and still coming: it clings to the web in the breeze and even the shafts of light like a pour of milk have been disturbed; dissolve, where there is no stillness.











evening-star

[Atropos: Zen-like balancing in the face of miraculous, unexpected wind?]


Dice: 4 d10 TN6 (1, 3, 4, 10) ( success x 1 )


evening-star

[Init: Ari +5]


Dice: 1 d10 TN6 (7) ( success x 1 )


lake-light

[Pen +8]


Dice: 1 d10 TN6 (8) ( success x 1 )


lake-light

[Er, that was +7, sorry!]


evening-star

[Clotho + 5]


Dice: 1 d10 TN6 (1) ( botch x 1 )


lake-light

[Atropos the Spider +6]


Dice: 1 d10 TN6 (4) ( fail )


evening-star

[Lachesis +7]


Dice: 1 d10 TN6 (7) ( success x 1 )


evening-star

Init Summary:


Pen: 16
Lachesis: 14
Ari: 12
Atropos: 10
Clotho: 6






lake-light

[Lachesis goes: ???]


Dice: 5 d10 TN6 (1, 2, 3, 9, 10) ( success x 2 )


evening-star

Declares:


Clotho: Rustling leaves! I kill!
Atropos: Drop on Pen & Ari
Ari: Imbue clothing as armor!
Lachesis: (Reflexive: Um, Clotho, you do you.) Head for fight, into the trees to flank.
Pen: is going to strengthen the wind and smash Atropos into a tree with it. SMOOSH.






lake-light

[P: Ariel, kill. More oomph for the wind. Let's WP; it's dropping on my best beloved friend!]


Dice: 3 d10 TN4 (3, 4, 7) ( success x 3 ) [WP]


lake-light

[Melee, for directed-strongwind-squooshing.]


Dice: 6 d10 TN6 (2, 5, 6, 7, 8, 9) ( success x 4 )


lake-light

[Squishes for Atropos. 3 from Melee + (4) Magical Strength/Successes.]


Dice: 7 d10 TN6 (1, 1, 2, 5, 6, 6, 10) ( success x 3 )


evening-star

[Mind 2: BE AFRAID, BE VERY AFRAID, vulgar, -1 Pen is actually scary, -1 magical realm, +1 active magics +1 fast casting, -1 instrument + WP]


Dice: 2 d10 TN5 (1, 10) ( success x 2 ) [WP]


evening-star

[Clotho: Killing some LEAVES]


Dice: 6 d10 TN6 (2, 2, 4, 4, 5, 9) ( success x 1 )


evening-star

Of course there are webs, here in Minerva's Wood, here in the Green Wood of a Hunter whose provenance was once that of Weaver, of a tapestry so grand that it shifted her destiny.  Here in the woods, her work continues, through the able and many bodied host that she has inspired.  So of course there are webs, shimmering in their brightness, walls of iridescent water-beads on strings, strings overlaid and interlocked, string and beads made into immovable boundaries, encrusted and embellished.  And this is just what they can see at the margins of their vantage point, from the view at the forest floor.  If only they could see this place as the crow does, from above, with a holistic view of all it has become; looking down into the labyrinth.


The mists part on a gentle breeze, a thing that spirals out from the careful motions of Pen's wand: they are like wizards in the legends of old.  Here they stand in the quiet of the green wood, here like statues, caught in a shaft of that milk-and-honeyed light, spot-lighted, lit, set aflame.  Pen, who is picturesque at any moment, crowned with rowan light, ungentled any more by shadow --


-- save for this growing shadow, this bulbous round and swaying thing that broadens as it swings across her shoulder and over Arianna's, and this draws Pen's attention up to Atropos who is suspended above them, the weight at the end of a scrying-witch's pendulum, diviner of their truths and present. And suddenly the breeze is not so gently, and the red of Pen's hair is aflame like Fury, and all it is cupric, and her expression is severe.


The motion of her wand shifts, cutting a more decisive pattern into the shaft of light, pushed forward with more force and the same cool, crisp control, pushed forward and built up into a sudden gust that roars through branches overhead and thrashes the suspended arachnid so violently that the shimmer-steel of his thread breaks and he is sent flying, volleyed through the air, spasming in an attempt to pull his fragile legs toward his center until, with a sickening and somewhat wet sounding smack, he collides with the stalwart upright of a distant pine.  Then comes the fall, straight down without tumbling, down down down to the roots woven over the forest floor and crash, again, and then stillness from this quarter.


Lachesis, the nearer of his fellows, shifts her attention from the rustle of leaves toward the greater threat of the Mageborn in their midst.  She comes quickly, on nimble legs, coursing over the forest floor with alarming agility and unerring focus.  Her body, the color of water, moves in and out of shadows but there is no chicanery cast to hide her movements.  The third of their number savages the leaf litter with single-minded focus and little effect.


It is not enough to scribe the many names of fear and terror into the air before her.  Ari's will is not as tremendous yet as Pen's but it is wickedly honed in its own right.  As Lachesis advances, she speaks the true name of fear.  She then calls it by the brothers: Phobos and Deimos. She calls it by the names she knows in every language and holds the picture of it in her mind -- the fall of Ylesephet; when the walls came down -- and from her Words and her Working comes the deepest sort of dread, fear that requires no translation, limbic and subconscious, like water in the knees and a faintness in the head.


Lachesis slows.  Then stops.  Fear does not relent.  Pen holds the whole of the winds with her Will; Clotho rustles and spins and starts in the leaf litter, stage left.


Sunday, July 10, 2016

Into the belly

crow

evening-star
"Definitely."


What type of person isn't afraid of the dark? Being afraid of the dark is one of the oldest human fears; it is a sort of self-preservation instinct, a last-ditch safety net to keep the curious from wandering off of a cliff or into a den or away from their fellows in the deepest of nights. What sort of person isn't afraid of the things they cannot known, or see, or sense coming?


Arianna Giametti is not afraid of the dark. Not specifically of The Dark. She is not afraid of striding forward into the unknown; it is her profound belief that the unknown was always out there, it was always coming anyway, and meeting it headlong is better than cowering in the background. When the car stops and the lights are cut out and they are standing in the faint light of stars and whatever warm-light is cast by the rising moon, and the city is a constellation of bright points on the valley floor, nestled up against the immovable and absolute dark of the Rocky Mountains, she steps out onto the red dirt with her chin tipped upward and her expression watchful but untroubled.


She should be troubled. It would make an awful lot of sense to be troubled.


The path ahead of them is too steep to navigate the car down with any confidence that even this four-wheel drive hatchback would wind its way back up. It is not exactly narrow, but neither of them can see its width well enough to have confidence that they would be able to turn around if they traveled down it, and Ari's car does not have the sort of massive tire tread that gives them purchase in reverse to climb their way backwards up a mountain.


The road -- let's call it that for convenience -- has been worn unevenly and there are echoes of that sort of monstrous tread in the broad grooves that interlace and erode and turn this red dirt into a riverway more than a driveway. The air is thin and carries the dust aloft. Every footstep they make pulls it up into the air around their shins, and then their knees, and finally it is stirred up enough for them to taste. This dust-dirt is not worn down mountain; it is ash and dust and feathered bits of bone. It tastes of memory. The path downward is steep and requires steady footing. It descends in the half light, and follows the curve of the mountain. They must be cautious to keep their footing with the uneven ground and the pitch of the pathway.


Deeper into the night, the crumbled walls and half-roofed structures of the ruins await them. Ari's car had only one hand torch, and whoever is in front has the use of it. She has magics that can cast its beam wider or brighter if needed. Their progress is easily evidenced by the travel of this bright point in the darkness.


Were you there when the walls came down?


Nick can feel the ground shake and tremble beneath his feet, echoes of long-since exploded ordinance, but it does not cause him to stumble. The roar of it rings in his ears, but is not so loud as to stamp out the present.



crow

[Perception + Awareness]


Dice: 7 d10 TN6 (1, 3, 4, 10, 10, 10, 10) ( success x 4 )


evening-star

[Per + Aware]


Dice: 4 d10 TN6 (1, 4, 7, 8) ( success x 2 )


crow

Deeper into the night.


Nick can feel the echoes of the explosion, whatever it was: how long ago must it have been? He cannot tell precisely, not without further use of ritual here and now. Sometimes Time works that way, leaves echoes of the past or portents of the future without anything to reference a when.


Sirens. That's all he really has to go on, to mark it as present day. But present day can mean a lot. It can mean: world wars, or Ascension Wars, or last summer. All it really means is before their time.


"Do you hear the echo?"


Does Ari hear the walls?


It is lucky that they left the car behind and chose to go on afoot. At one point the trail pitches upward so steeply that they need to explore around to the sides of the trail, where they will find a few rocks that they can clamber up on. Nick offers Ari a hand up or two when and if she wants it (bouldering with Sera recently did come in handy), and from there they can find their way back to the road.


To their right is a collapsed chimney, made of red stone and the first indicator they have come across, other than the trail tracks, that sentient life comes up this way. And as they go farther up it becomes evident to Nick first, and then moments later Ari: the sun has not sunk any lower than it was when they started on their way up. It hangs low just at the horizon line like a disc of molten copper: is it moving at all?


evening-star

Ari is not as athletic as Nick is. This is a fair assumption, even without her knowing about his bouldering with Sera. Her days of adventuring at the drop of a hat have been fewer and farther between in the years after she left Academy. In Denver, already, she has seen more excitement than she had in all the time she was at conclave or symposium after they all left the East Coast and before she arrived on this Western Front. So she needs the hand up here or there, and she accepts it without bruised pride or ego. That the adventure continues and the riddle is solved is far more important than that she conquers every boulder or crag all on her own.


There are times when the descent is so steep that his hand alone is not enough and she must sit on the ground and scoot forward like a child to avoid stumbling. It leaves grave-and-mortar dust on her clothes, which are clearly to fine of fabrics for this sort of nonsense, but she will have them mended or replaced. This is the luxury of privilege: not having to choose between necessities and wants.


Does she hear the echoes?


Ari pauses, brow furrowed and head tipped slightly to one side. She cuts an odd silhouette in the setting sun -- and hadn't the city just been a constellation of pinprick lights on the valley floor? hadn't she just felt the relief of rising moonlight? surely she was mistaken in that memory, as the sun is molten and low and angry on the horizon and even Hesperus is not yet to be seen near Helios on the horizon -- stretching her senses to hear the rumble and echo of which he speaks.


"Not yet," she says. But if he does she surely believes that she will, too. "Is something coming?" she asks him, the line above her nose still creased with concern. The hand torch still burns, which is odd, because it is not yet even truly twilight.


crow

"No," he says. There is a point between his eyebrows, a divet that could have been stamped there or placed by awl, a place where his brows have drawn together and left a small furrow. It stops short of concern; there is no need for concern just yet.


Though maybe the both of them ought to have been more cautious. Maybe they should both be more afraid of the dark.


"It sounds like the echoes of the explosion." His eyes trek back up toward the horizon line, visible now past the mountain. He has checked the sun once and again, and he is sure now and so he says, "The sun should be lower now than it is, too. Have you noticed? It isn't getting any lower."


Nick does not know what would produce that, short of advanced Time magick. Short of some sort of lingering effect. "I wonder if something is still here."


evening-star

She is not the adventuring fellow one chooses when caution and carefully considered strategy is required. That sort of restraint and hesitation is left to other arenas of Ari's life and has no place where the wondrous is afoot. It will catch up with her one day, in ways far more grave than bruises from falling down mountains. There are sayings about bright-burning things, and the duration of their brilliance.


So she picks and chooses her footfalls and descends the rest of the way to where he is standing, and her torch is still burning -- though unnecessary -- and the evidence is adding up to support his theory that something is not quite as it seems.


"I thought I remembered moon-rise before we came down quite this far, but then again I thought I might be mistaken." She is insouciant, and offers a little shrug to pair with this easy admission. "I'd been more focused on the path than the sky..."


Ari reaches up to push her bangs out of her eyes, to shade her eyes from the setting sun. Nick wonders if something might still be here and Ari's eyebrows raise up. The next bit of pathway is not so steep and she, with this intrigued expression still focused on him, and with the sort of sway and easy saunter to her footsteps, starts to move further down it.


"I suppose we're in now, aren't we? Jacta alea est. We might as well go see what we can see, don't you think...?"


Later, when Nick tells Pen about this adventure, this may not prove to have been the wisest course of action. But it is action; Ari cannot much abide sitting still.


crow

Nicholas, too, has been more focused on the path ahead of them than the sky; at Ari's admission the little furrow between his brows only deepens. He is trying to concentrate to remember: where exactly the sun was when they left the gas station. He cannot.


"I have been too, but I think you might be right," he says. And Nick: he often knows things in his heart, but sometimes he lacks the confidence to say them. Particularly where such things are concerned, in matters where he might otherwise be more inclined to defer to his Hermetic friends.


"I agree that we might as well keep going." He stops short of saying that they have gone too far, because they haven't really: going ahead, and the risks that it entails, is a conscious choice that they are making now.


No excuses, when he tells Pen about this adventure.


And so they walk.


crow

[Let's pick a storyline!]


Dice: 1 d10 TN6 (10) ( success x 1 )


evening-star

One of the decided benefits of a Hermetic education is learning how to express your opinions, beliefs, or even your passing thoughts with a sort of nonchalance that borders on hubris. The expectation of a ready audience; the wherewithall to withstand a verbal duel. Sparring with quill or tongues or any other instrument of the mind is how they hone their paradigms and protocols and their very grasp of the language that gives form to Art and Ars. The hesitant and the uncertain and the first to fold all get left behind and the crucible formed by those who remain is merciless.


And magical. Transformative. They are forged in the fire. Meant to be the leading edge of the blade, the tip of the arrow, the point of the quill.


Ari is not too far from the point, being that she is part siren, or lorelei, or fae light on the moors, or even some ominous star to lead them who wander astray. It does not occur to her that Nick may feel some hesitance or have reservations or unspoken truth kept gated behind the cage of his teeth because he is unsure or unsteady.


Down they go, until the relentless slant of the path recants and begins to level out, and still they are winding around the circumference of the mountain but gone is the dreadful feeling of descent. They have come all this way down and not gone under; Hades is not waiting for them here. The air is less choked-full of dust and sediment here. The setting sun is merciless and clear. The buildings here have been spared the ravages of war; their roofs are not caving in, avalanches of red-tile and broken joists and beams; their walls stand upright, rough with stucco and sharp cornered and solid. It has been a slow progression, as they are moving away from the epicenter of some frightful thing, or perhaps back in time toward a moment before the sundering.


The streets are brick over gravel, set in a herringbone pattern, as if the wide parkways were more for pedestrian than vehicular travel. Just beyond the edge of their hearing, indistinct but somehow familiar, is the crackle of static interspersed with the brassy jazz of an old radio playing the old songs of a bygone generation. Down the alley to their left, they can see the swing of a metal garden gate and within its boundaries a low clothesline hung with forgotten and tattered items. The white have gone grey with the dust and time. The gate swings on its hinges, though neither of them feel a breeze, and it squeaks idly.


The path cut around the mountain is only wide enough for the street and a few homes on either side. To widen the town beyond these boundaries, alleys have been cut up and down, steep pedestrian stairs connect lower and upper terraces; it is a warren of tiny passages tucked into, around, and through. Broad windows decorate the storefronts along the empty street. The letters painted on to reveal their purposed are scuffed and faded. Yet, out of the corner of their eyes, it almost seems as if they might be legible -- then no again, they are indistinct when direct attention is applied.


"There's no town on the map here," Arianna tells him, frowning at the pitted and worn name of a street on a metal sign affixed to the edge of a building. "I'm almost certain of it, Nick...."


Dice: 1 d10 TN10 (9) ( fail )


crow

Ari is certain there is no town on the map; Nick is also certain of this, though his certainty comes from the pit of his stomach, a far more intuitive thing. He knows without looking, he knows because that is how these things go.


Sundown is a threshold, a period of the day when the space between this world and the next draws thinner. Nick wonders whether they have wandered into a shadow realm, someplace not quite past the Veil but perhaps in that in between place. There are such places in the world.


"Can you hear the radio?" He asks her this because he does not yet understand what is happening: he only knows that something is. "This might not even be...it might not even be in Colorado, depending on what's..."


He doesn't finish because, well, speculation.


Nick brings the spirit world with him; he looks into it as naturally now as breathing. He has to close his eyes a moment and open them again, has to draw in a breath and breathe out and remember how it feels to be back at the beginning: that's all. It has gotten much easier over the years. So: he looks. Perhaps it will give him a sense of just where they are.


[Spirit 1, Sight: base diff 4, -1 for practiced rote.]


Dice: 2 d10 TN3 (2, 6) ( success x 1 )


evening-star

His cabal-mate belongs to the Autumn; she is sometimes rowan-haired and often mercurial, but her practices lean toward memory, and her heart rules her head more often than she will acknowledge and the season of cups, and of emotion, and of sundering and of going under; this twilight of the year, and as a time of life, of truths that transcend word and knowing; this knowing of things that are not the purview of Air and Intellect alone. She belongs to the Autumn, though she Winters over oh so well, and she can burn like a summer child. This Nick knows when he peers at her through his Spirit sight; he knows it in his bones as surely as if he had spoken one of her names.


Thresholds are places only truths can endure.


And then, beyond the immediacy of her presence, which is far more permanent and resolved than these others, comes the expanding awareness of the town itself. Held in this moment like a photograph, a breath that can never be drawn in to its fullest, stopped, as it were...


As they were...


The ghostly silhouettes, grey-shaped and translucent, shimmering in the heat of the setting sun, phantasmic, of a bustling small town. The figures are paused, mid-stride, mid-sentence, mid-something. All of them. A woman in an upper window airing out the laundry, arms aloft in the process of flinging the wrinkles out of some now-lost thing. A gentleman in a hat, whose style gives away the decade, bent forward to speak to a child who is only half his height; pipe held away from his face in one hand, the illusion of smoke curling up and out of it. There is movement in the sound alone, and this is the roll of hard wheels against cobbles, or perhaps the herringbone of the street, but not with the clarity and quickness of cars and neither with the accompanying foot stamps of carriage horses, so perhaps the push charts of market folks further around the bend; there are birds calling but out of sight; trees sigh and rustle in the intangible breeze, though there are no such tall-trees or rustlings in their presence, physical space.


The smell of sea air overwhelms him, the valley floor below having been overlaid with the rolling waters of an inlet. The newspaper headline in the shop window nearest him begins: WAR. It is followed by such punctuation as to be alarmist.


And then, on the exhale, when he thinks he might have a sense of time and space around him, comes the whistle of an incoming, ever nearing object; a holiday firecracker played in reverse; and the sun catches his eye which shifts his mind slightly toward the present, where the walls and boundaries of this space match up too precisely with the echoes of his Spirit Sight.


crow

Sea air: and know that the home of Nick's heart is not in Arizona where he grew up nor in Denver where the three of them live now, but in the hills and woods and salt marshes of the place they left not so long ago. He recognizes it as soon as he smells it, the brine. Which means: they are not in Denver, this is an Elsewhere as much as it is an Elsewhen.


There is a newspaper headline in the window.


The holiday was not so long ago and so that is indeed what springs to mind first: a firecracker, the long whistle just before colorful starbursts in the night sky. Sounds and scents are often visceral things, and they can be as effective as any Time magick in transporting a person to another time: to childhood watching fireworks on a blanket, to being at home and wondering when people will bloody stop launching the firecrackers down the street.


To being in another country a year or two ago and hearing that distant sound just before the conflagration, and knowing that charnelhouse will be his next destination. He was there to see those walls collapse, though they weren't his.


Ari sees only his eyes fixating on some point in the sky, and: she can see the white of them. It takes a moment for him to find his voice. "We're somewhere else," he says. "I think it's...there was some sort of - " And he says this and with a rough exhale he shuts his eyes to blink the magick away before the moment of impact,


because he cannot. Not again.


His breathing is unsteady.


evening-star

[Corr: Where am I? base diff 4, -1 practiced]


Dice: 2 d10 TN3 (7, 8) ( success x 2 )


evening-star

She is watching him, out of the corner of her eye, when he allows his second sight to overtake his absolute sense of here and now. She is watchful, ready, the fingers of one hand wrapped around the hilt of her wand wherever it is currently concealed and the fingers of her other wrapped around the heavy torch, which still burns needlessly, which is a light house, or a ladder or life boat or some other thing that might anchor him if he should so need it. There is no slick of mercury to her eyes, save the grey resolution of a friend who is only half a heartbeat away, and when he is not looking at her she is looking to him.


Ready.


When his voice breaks away from his thoughts, Ari steps in beside him. She moves her hand away from her wand to place the cup of her palm against the round of his shoulder. Her finger press into its blade, offering a grounding pressure that does not draw forward pain. It leaves no question of whether she is there, of whether he is alone. It anchors. He braces for impact; she is beside him.


"Nicholas."


"Just breathe."


It is the barest of reminders, sotto voce, on the edge of hearing. It is not a command. The strength of her grip on his shoulder relents. It becomes just a presence, then her hand moves in small, soothing circles, until it stills. Then taps once, as if testing his resolve. And finally withdraws.


When he is steady on his feet, or near enough, it is her turn to draw in a deep breath. She draws the shape of a circle on the back of her hand, near to the circle made by her thumb and forefinger. Round, and round again, and round again until her skin prickles with the shape of it, and then she pushes out her sense of place and direction, feeling for the truth of where they are in the vastness of the Tellurian. They are travelers without even the night sky to guide them; it is one thing to wander and wholly another to be lost.


crow

Just breathe.


Ari's hand on his shoulder is a comforting weight, a reminder of where and when he is and moreso: a line in the sand between the pain of others and his own. The ease with which Nick understands what's in another's heart is a sword which cuts two ways; he is deeply affected by what he reads from other expressions, from voice and body.


His breath does not take long to steady. He is practiced at this, too.


"It must have been a long time ago. The first world war, maybe. I couldn't see any cars or anything." Just the bright bloom of artillery fire.


To Ari, too, the place might seem all too familiar as she orients herself, and here is the strange thing: they are outside Denver. She knows this as surely as though she were reading a map, though there is no town here, there is no sea. They are also: in a coastal Italian town, somewhere north. Maybe she passed through that country long ago in her youth; maybe it is hardly known to her.


And they are also nowhere at all.


evening-star

There are towns like this, carved into the face of sea cliffs, colorful and dangerous and festooned with history, throughout coastal Italy. The immediacy with which she recognizes her home country is almost brutal, it causes her to pull a sharp breath in between her teeth and the dry, thin air of the mountains above Denver is incongruous with the crash-nearness of the sea. Through memory, she can smell citrus, sun warmed, from the trees that she knows are kept on the tiled balconies and terraces, even though it is not here.


"This is Italia," she tells him, pronunciation canted hard toward home when she speaks the country name, though there is a prick of concern and worry to her expression. She has not committed to it enough for it to be fear or panic.


"Nicholas," she says, though her placement of where to direct his name is a little off due to her split attention. "I know this place." It is like a name just at the tip of her tongue. She knows but does not recognize it. She knows with certainty that there will be a book shop a couple doors down, and she is compelled toward it, by some fondness or some need to know, some need of something definite.


It stands, as it did in her memory. On the corner of a narrow alley and the main street. And she smooths her thumb over the embellishments around the nameplate on the door, worn down with more lifetimes than the span of her own. They have both been Awake too long for her to waste time with incredulity or assertions that this might be impossible.


"I don't understand." This is as much as far as she is willing to stretch disbelief. "It was destroyed in the ..."


Oh. Some sort of realization crests and breaks in her and Arianna pushes the sense of the other town away from her mind. It is his turn to glimpse the whites of her eyes, widened as they are as she churns though some mental arithmetic. And then alarmed. Unlike Nicholas, she does not close them against the dawning thought. She is transfixed, staring at her fingers against the nameplate, remembering; she knows what is coming and yet she cannot bring herself to look away.


crow

He sees the dawning realization in Ari's eyes, and he would not have guessed where they are on his own; he would have needed the magick in truth that Ari only needed to trigger a memory. Other than to the middle east (Chakravanti business, he would have said) Nicholas has never left the country, save just past the Mexican border. He'd thought the place charming, like pictures he's seen of Europe: but how many pictures, over how many years? Things blur.


Nick has raised a hand to his chest and he is gently rubbing at the muscle over his heart, as though he could calm himself this way, could soothe the remembered heartache of someone else.


"I wonder how this place got here," he says. "It must be someone's memory. Some survivor who came here and did some other Work, maybe. I don't know how else this would have gotten here." It challenges his understanding of the Veil, though this is of course not complete.


The world is still full of mystery, isn't it.


"Do you want to leave?"


evening-star

It is possible that this place shows them echoes of their own echoes. That it is only in Italy because she is here; that it only causes him this particular heartache because of the lives that he has lived. It may be a labyrinth, a thing bordering on thresholds of its own. It may be drawing them down into its belly so that they may emerge, changed, reborn, renewed.


She had still be numb when she'd heard that the cliff-side town had been sundered by the War. Numb from the loss of so many friends, aching from her own wounds and the ruins of her sense of surety and place within the world. The Order was not unassailable after all. She'd been far from the sea, but beyond that, Arianna remembers little of place they'd sheltered. Instead she remembers her father's voice, counsel kept with others late at night, the ever-burning light in his study, the way his eyes sunk into his face and the terrible pressure of his resonance always and immediately around them.


When she finally pulls her hand back from the nameplate it is all at once, pulled back toward her center as if she has been burned or bitten; wounded. She does not have as firm a filter for these memories as he does; instead she religiously avoids their echoes.


"Yes." She is smoothing her hand against her pants when she looks over to him, using the feel of the fabric to erase the memories in her fingerprints. Her eyes are clear but not calm when she looks over to him. Conflicted. "I do not want to linger, but still -- if someone has survived and come here. I want to know. Someone should know."


Duty wars with self-preservation. There is no clear victor just yet.


crow

Echoes of their own echoes: or Mind, perhaps. It would not take significant skill to produce such an effect. Nick knows of magi who can do this; there is something unpleasant that triggers in his memory when he thinks about it. Not of the green door, not of the firm pressure of Lysander's hand on his shoulder, but something associated something -


He cannot quite place it.


But it is no matter. Whatever was on the tip of his tongue at the edge of his memory, he is sure it is not here. "There are still ghosts lingering. They might know, though if they died a long time ago what they can tell us is probably going to be limited and cryptic."


Nick says this with the confidence of someone who has done this, and often; he might not often speak of himself or his spirit work but there are often things to be read in the things he knows about and knows how to do. "If you want to stay, I'll stay with you. But we should be cautious." More cautious than they have been, at least.


evening-star

If you want to stay...


Pen is not here to defer to. She cannot pin this on Silas. There are no ready scapegoats and Nick is looking to her which means that she is -- Verdammt! -- responsible for this decision. The Giametti woman weighs this for a moment, with her lips pressed together and her gaze cast down toward the interleaving bricks. She breathes in once, and then out again, and that is all the time it takes to decide.


"No." Self-preservation has won out. "If I had known what was coming then, I would not have stayed. I do not want to stay now to see if it will come again."


There are still ghosts here. There are stories hidden in the twisting alleys and crammed in between the bricks. But whatever she remembers is more terrible than the pull of the unknown. It overtakes her curiosity and even her disdain for consequence. Ari's hand has move back to whatever pocket houses her wand. He cannot see her white-knuckled grasp on it, but he can see the bloodless hue of the hand that holds the torch -- still burning, still needlessly so. He can see the tension to the lines of her face and the pull of her shoulders.


There is something she is keeping from him, and not terribly well.


crow

Ari decides not to stay, and as Nick breathes out there is a slight but visible bow that appears across the line of his shoulders: they relax. He would have indeed stayed, and stayed from loyalty and no small measure of his own curiosity: but caution wins the day. This is fortunate, perhaps; the last time Nick was in a place like this, he left with his soul rotting from the inside out.


Each time he'll have to question whether or not the tether Pen (Ari, too, but especially Pen) provides would be enough to stay him: eventually one time will be the last.


Best to avoid it.


"We can go then. We can always come back, or try to get a better idea of what's happening from afar." He wonders: are there places where they have to be present? This is outside of his understanding of Correspondence.


"What is it, Ari?"


evening-star

She is afraid. Ari, who is not afraid of the dark. Ari, who is headfirst into most adventures. Is terrified of what comes next.


"Nothing," she lies, and offers him a smile. It would be convincing, were he not Nicholas and were they not family of the heart. And then, immediately upon its heels and in conflict with her assertion, she tells him: "I'll tell you when we're clear of this place."


Because it is not the time to tell him that it shatters, and blisters, and burns.


Climbing up a steep incline was somehow easier than carefully descending. Still, though, Nicholas is her better in the mechanics of this escape. All the while she is waiting for the scream of incoming magics or artillery rounds; for the inevitable crash, and boom, and breaking.


crow

[Dex + Athletics?]


Dice: 3 d10 TN3 (3, 9, 10) ( success x 3 )


evening-star

[Dex + Ath: Upward...?]


Dice: 3 d10 TN6 (3, 6, 8) ( success x 2 )


crow

[Uh...doing that again. Diff 7.]


Dice: 3 d10 TN7 (1, 6, 10) ( success x 1 )


evening-star

[Oh... it gets steeper...]


Dice: 3 d10 TN7 (1, 5, 9) ( success x 1 )


crow

[Stamina?]


Dice: 2 d10 TN6 (6, 7) ( success x 2 )


evening-star

[Stamina: I can totally keep going...]


Dice: 2 d10 TN6 (5, 8) ( success x 1 )


crow

[Okay. Home stretch?]


Dice: 3 d10 TN8 (1, 2, 9) ( success x 1 )


evening-star

[All the way back to the top?]


Dice: 3 d10 TN8 (6, 6, 7) ( fail )


evening-star

[No, seriously, I want out of this place. +1 for retrying]


Dice: 3 d10 TN9 (4, 10, 10) ( success x 2 )


Monday, June 20, 2016

A measure of Oberon

Nicholas

[Ceremonial roll!]


Dice: 1 d10 TN6 (10) ( success x 1 )


Arianna

Longest day, shortest night.
A time for revelry.
Camaraderie.


Drunken dialing of stalwart friend and cabal-mate.


Ring. Ring.


Ari's not completely sure which of her stalwart friends she has drunk dialed until the phone connects.  But, because she does not see either Nicholas nor Penny-Pen-Pen present, she is certain that the stalwart friend and cabal-mate whom she has dialed is not already present, and therefore is in dire need of summoning.  There may have been a brief oration, mostly in Ital-lish-grish, about how perhaps this cell phone thing isn't an entirely shit-ty focus for that Mercur-ee-al Adept -- she can't, even drunk she cannot say Virtual Adept or Mercurial Elite without screwing something up; there's just something about the Convention that rubs her entirely the wrong way -- for summoning, since it effects a sort of here-not-here effect, not entirely unlike --


The call connects.


"Nick?"  Ari pulls the phone away from her ear to consult the name on the screen for confirmation.  It makes for an awkward sort of pause, and she is entirely unable to hear his reply, though he can hear the sounds of the establishment around them clearly, and also a mangle of Spanish, Italian and ... one supposes that was meant to be English. She is saying something very earnestly to Andres, possibly about their dinner options, or the precise time of moon-rise, or... fish. It is very hard to tell.


"It's Midsummer! Whereare you?"  The words spoken into the phone do not follow her usual cadence. They are unbridled by the rhythm and structure of paltry things like grammar and diction.  There is merriment laced all through them, as if she knows a joke and has told him the punchline, but not the body of it and so she is mirth through and through but unpatterned by reason.  The insinuation is that wherever he is, it is not where he ought to be. Hence the phone call summoning. Hence.


"Oh. Are you busyrightnow?"


She presses her fingertip into a little bit of spilled salt on the table, then flicks it over her left shoulder.  The next little fingertip of salt is then pressed into the tip of her tongue.




Andrés

[what else is living on this bar besides salt? life/matter scan for shits.]


Dice: 3 d10 TN4 (1, 4, 8) ( success x 2 )


Nicholas

Just where is Nicholas Hyde on Midsummer?


Wherever he is, there is no interference or background noise on the other end of his phone when he picks up.  He answers with a customary "Hello?" even though he can see her name pop up on the phone, even though he knows it's Ari.  The generation younger than he and Ari probably won't do this, even when they reach the venerable age of thirty that Nick is now (recently).  They'll have grown up without landlines, grown up used to knowing exactly who is calling when they see it appear on a screen.


"I'm - "  He stops; she can hear the pause on the other end perhaps as he tries to piece out her cadence.  Her voice is thick as though she is crying; the mirth in her tone says otherwise.


"Ari, are you drunk?  Do you need me to pick you up?"


Andrés

There comes a night in every career alcoholic's life where he finds himself not only the drunkest person in the room, but well-met by a fellow drunken reveler who thinks that because he, being the setter of the bar in the sense of a track-and-field metaphor and not in the sense of their actually being at a bar, which they are, he's had quite a bit of practice distinguishing sarcasm and metaphors and other literary bullshit from talking to his apprentices who are no longer fledglings but still cause him heartburn when they stray too far from the nest, what the fuck was he just saying--


Oh right. Arianna was trying to keep up with him. He was drinking to forget a conversation he had had with one of her compatriots. Now here they are.


Arianna is on the phone. Andrés is pointedly standing up to move a sufficient distance away from her that his scanner won't stop working for no real apparent reason. Same reason why Star of David necklaces and crucifix earrings make him drop what he's doing and run out of the room, it would seem. Echoes.


Whatever his cobbled-together scanner tells him isn't heartening, and whatever comes out of his mouth next isn't English. The "Uck" with which he prefaces his proclamation is universal, for whatever that's worth.


"Quién es?" he asks as he clambers between the chairs to come back to Arianna. He will not remember this in the morning. "Nicolás? Estás hablando a Nicolás?" No shit, Genius. "Nicolás! Venga acá, tu tequila no beberá si mismo!"


Arianna

"Do I need you to --"


Repeated. Each word. Carefully. She is parsing the query as she replies, and it is harder when she has had exactly this much to drink, to think in a language no her own and so there, too, the accent is more forward than he has heard in a long, long while. And it is canted by Andres's. It is a new thing, this Ari-accent. New and utterly borne of Denver.


"Yes."


"No."


Now a fingertip of salt is rubbed between her index fingertip and the pad of her thumb.  It erodes against the ridges of her fingerprint.


"You should join us," she says, with as much sincerity as she can muster through the mirth tucked all around her words and her eyes.  "Andres and me. That us. You should. It would be fun. Will you come then?"


She looks over to Andres for encouragement, moves the phone away from her head enough to gesture to him with it. There are more words in Ital-glish-grish.  And Nick is rewarded with hearing his name spoken not once, twice, but three times by the Etherite.


"Sì, è Nicholas. Si dovrebbe venire drink con noi."  A pause.  "Shit. How is this in Spanish? Bebe con nosotros-o?"  Eh, close enough.


Nicholas

"Nosotros-o?"  The echo on the other end of the line carries a hint of wry amusement.


"At the rate you're both going it sounds like you're going to be completely insensate by the time I get there," Nick says, with only a moment's hesitation.  "But I'll come join you.  Give me...sixteen minutes and seventeen seconds.  Time me."


Arianna

"He's coming!" she announces to Andres, probably louder than she needs to.  "And he wants you to time him."  This is added so seriously that it cannot be ignored.


All insinuations about their diminished abilities are left unacknowledged.  Instead she tells Nicholas she will see him soon, and then requires three attempts to hang up the call.


Andrés

"Beba con nosotros!"


Like holy shit that is the best idea ever wow he didn't even notice that she totally slew his preferred language.


He's coming and he wants them to time him.


"O--" he says, shucking up the cuff of his right wrist, which is covered not only by a button-down shirt but also a cardigan because somebody didn't get the memo that it was scorchingly hot outside today that would involve going outside occasionally, covered by winter clothing but no sign of a watch. A belch bifurcates his speech. "--kay."


[time 1: i'm so timing you dog]


Dice: 3 d10 TN4 (7, 8, 10) ( success x 3 )


Arianna

"Beba beba beba," she repeats after him. As if committing the grammar lesson to memory.  Or perhaps testing the rules of three as it pertains to summoning things like bloody maries. (Not that kind. [Oh, sorry, my bad.])  But it is not a bloody mary type of outing with Andres.


Because it is not brunch.
Which makes it a tequila type of outing.  


"Should we wait for Nicholas now?" she asks, as if a sixteen minute and seventeen second caesura in their drinking will really do much in politeness's sake.  Ari's purse is seated on the bar stool next to her, a pale grey pashmina rests over it.  She is wearing something feminine and well-cut, but her shoes are on the floor beneath her and her feet are perched almost daintily on the rung of her bar stool. 


And, intermittently, perhaps in the most annoying way possible, she asks Andres how long has it been now? Now? Now... ? At varying intervals. In the middle of other sentences. Until the Crow appears.



Nicholas

Sixteen minutes and seventeen seconds.


Time probably seems to pass slower, when the two of them are drunk.  If it weren't for Andrés and whatever device he imagines himself looking at when he pulls up his shirt and cardigan, they might think he takes longer; they might lose track of the passage of time entirely and he might appear as though in an eyeblink, a heartbeat.  Time is mutable.


Nevertheless, sixteen minutes and twenty seconds later Nicholas strolls through the door.  This is the longest day and the shortest night of the year, and Nick who is twice-born who is night-illuminating has marked the day.  They caught him either before or after ritual and maybe they can sense it: his hair is tangled and creeps upward like ivy, like a crown of leaves and grasping vines, and the cast of the beam that slants through the door at his entry paints his pale brown skin in light.  He is wearing a white shirt, light grey cotton pants.


To be hallowed is not quite the same as to be holy.  See here: he's come with them to drink.


He sees them easily and finds their table and: appears.  "Hello, Ari," he says, and then there is a longer look at the Etherite.  "Hello, Andrés."


Andrés

[life 2: falling down drunk is not as fun as it sounds, go-go gadget sober upperer!]


Dice: 3 d10 TN5 (5, 7, 7) ( success x 3 )


Andrés

Here's the thing: they are the drunkest it is possible to be drunk without being hospitalized, and even then it's probably not a bad idea because there's the threat of respiratory arrest and aspirating stomach contents and blah blah blah.


But they will not succumb to Dionysian perils, because they are motherfucking reality deviants, they create the nights they want to live in, onward and upward, and so on and so forth.


Really what that means is they're so drunk they can barely walk, so Arianna may or may not have left her shoes behind. Andrés definitely crashed into something and had to get hauled back up onto his feet and that was his cue to whip up a shot of something that tastes like a combination of pocket lint and orange Tang but which has him looking pretty bright-eyed and bushy-tailed by the time Nicholas gets here. Bright-eyed and ready to get drunk all over again.


Arianna is on her own. Which means Arianna won't notice. No harm, no whatever. He obliges her broken-record questioning of time and its passage with the sort of bored patience that betrays his having survived two separate children's toddlerhoods.


And then:


"Nicholas! Sixteen minutes and twenty seconds, my man."


Arianna

"Nicholas!"


She is just enough behind Andres's greeting that it comes as an echo, but the smile across her features is genuinely pleased, and the slop to her movements is entirely and utterly sloshed, and completely and utterly without the sort of magickal out that Andres has just taken.


"That was very, very close," she tells Nick, but she is not brave enough to hop down off her of her bar stool and hug him just now.  Instead she lets the last syllable repeat and blur just enough to become: "Chro. Nos."


The syllables are like separate words, but the allusion is still correct. She is pleased. She verily beams it out like starlight. Undoubtedly, neighboring patrons have noticed that Father Winter, here, and his temporarily earthbound colleague are not your usual sleeper fare.


"But today is for Janus." A little pause. "Two fold. Full faced. Two faced, full."  She nods, having delivered the appropriate level of Hermeticism in her greeting.  And, like any good Hermetic, she does not elaborate on the riddle more than necessary.  Instead she takes up her water.


Tries.


Instead, then, she takes up her water on the second try, and raises it in toast to their addition before drinking from it.


Nicholas

"I forgot where I put my keys, I needed a few extra seconds."  See?  Even predictions aren't always correct, they can't account for everything.  Nick takes comfort in that fact: that there isn't always a way to know which portents come from Ivory and which from Horn.


Their revelry seems to have been going on a while, though - "You seem a lot less drunk than Ari," Nick comments, though he recalls the "science pill" that Andrés used once, used twice in his recollection.  "What are you having?"  He recalls hearing a comment about tequila, the scattered words that Andrés spoke on the other end of the line (it won't drink itself); but instead he looks toward the bar.


To Ari, he just smiles and gives her a little half-hug where she is on the bench, careful not to unbalance her (or cause any rocking movement that might make her vomit or spill anything all over his white shirt.)


His seeking eyes have brought over a waiter, whom Nick greets before requesting a Corona.  He slides into the seat next to Ari.  "How long have you two been here?"


Andrés

[life 3/prime 2: GET SOBER. putting quintessence into it in the hopes it won't explode on him.]


Dice: 3 d10 TN5 (2, 3, 4) ( fail )


Andrés

[WELL AT LEAST IT DIDN'T EXPLODE trying again.]


Dice: 3 d10 TN6 (5, 6, 10) ( success x 2 )


Andrés

The last time Andrés tried to throw together a concoction using his knowledge of human physiology and biochemistry but using instruments outside of his rigid repertoire, the entire affair not only blew up but left him in Quiet.


At least this time he isn't whipping together sanitizing tablets and coconut-flavored rum in the hopes that it will sedate the shit out of a wolfman. He's rummaging through his pockets and finding the same brown mystery vial that he had just used on his own beverage, which rules out rophynol as the substance in question.


Nothing about Andrés suggests he would ever use rophynol on anyone other than himself, for whatever that statement is worth.


So he plops a couple drops of the orange stuff into her drink. There's more method to it than madness. He frowns when it doesn't do what he wanted it to do, gives it a shake, and adds another half-a-drop.


Tada. He slides her water glass back in front of Arianna and lifts his eyebrows at the question.


"What time did I get out of that inquest hearing?" he asks Arianna. "Like six o'clock? Five?" Oh would you look at that. More tequila has arrived. Andrés doles it out and says, "Doesn't matter. Here's to staying here longer."


And down the hatch his goes.


Arianna

[You want me to drink that? (Int + Streetwise) [Clever] + drinking with Andres: diff 8, -1 die, drunkenness]


Dice: 3 d10 TN8 (2, 4, 5) ( fail )


Arianna

So an admittedly strange but familiar man puts a few drops of something from an amber bottle into an obviously intoxicated woman's drink.  Thinks the better of it, and then adds another drop to be sure, and then slides it across the bar to her with a suggestive look.


Campus counselors everywhere already have their whistles in hand are extolling the virtues of responsible partying, the buddy system, and so on.


Hermetic 'counselors'? Are readying their best lectures on loss of control over self and situation, along with a few verbal lashes for being of weak constitution.


Ari's eyes track the progress of her glass across the tabletop, the smudge left by the condensation in its wake, the way that Andres's hand becomes cartoonishly disproportionate if she contemplates it overlong as it moves in her perspective.


"Five-ish," she confirms without confirming anything. Then, despite having her cabal mate beside her, who is still of sound and solid judgment, Ari drinks from the -- poisoned? drugged? worse yet, Scienced?-- glass of water without showing any concern for the consequences of her actions.


(Word was, she'd been a lot of fun at Academy parties.)


Nicholas

"Ari - " he begins to say it, to caution her before she tosses back whatever Andrés slid over toward her.  It isn't that he distrusts the Etherite or believes Andrés would do his cabalmate and longtime friend arm, but, well.  The last time he saw Andrés the man was in the middle of a nasty bout of Quiet.


But what's done is done, and so when his beer arrives he pushes the slice of lime (thoughtfully included) through the mouth and down the neck and then takes a long swallow.  The tequila he has not reached for and perhaps will not.


"How are you feeling, then, Andrés?"


The obvious answer might be "better," but the glance Nick casts over at him implies that the Chakravat is hoping for something more substantial than that.  Something to allay his fears, perhaps.


Arianna

"Ari-" he begins, and so, once she has finished swallowing and is lowering her glass away from her face, Ari tries to meet Nick's eyes.  To divine a little more meaning that the first two syllables of her name can provide.  But whatever caution that would have been is turned away from, as Nick takes up her Corona and Ari continues nursing her water a little longer.


The tequila stands alone.  But only in this pause. Only until they decide whether they are staying or going tonight.  And she hopes for staying, because the coolness of the metal beneath her toes means she has misplaced her shoes.


No matter.  If Nick is close enough -- and perhaps even if his chair is not close enough, and then to disastrous ends -- she leans her shoulder into his.  It is a most tangible way of marking that he is near. And in an aside, completely out of line with the conversation they are having, she remarks:


"There is a measure of Oberon to your curls."  There is a solemnity to her eyes, despite the intoxication to her blood.  Perhaps this idle scrutiny is made more intense because of it.


Arianna

[edit: Nick takes up his Corona. 
Ari is not drinking beer-water.  Which is part of the problem.]